A Few Updates

Happy New Year! Belated as it is.

Just some updates and news to throw your direction.

Margaret Harrell’s book “Keep This Quiet” is steaming along in the getting noticed stakes. Click here for Ron Whitehead’s review of Margaret’s latest. There are links there too for when you want to buy her book. In a few weeks I’ll be interviewing Margaret, I’ll keep you in the loop on that.

I’m always happy to encounter a bunch of degenerates like those at This is Bat Country. You can catch them on Facebook too. They talk about all manner of interesting stuff..  And there’ll be no problem stopping there…

To satisfy my selfish needs. You can find me on Facebook for short, regular updates that won’t be posted here. Also I’m on Twitter for anyone who cares to follow. So help me boost the social following numbers. Click “follow, add or like” with impunity. I’m preparing reams (is there a web term for ream?) of information to add here in the next month or two. I’ll keep you all posted on that.

OK? OK!

Thanks.

A Few Updates

First off I want to thank William McKeen for the mention on one of his sites The Farm Report

Next up is Wayne Ewing’s addition to his Vodcast. Its called The Eulogy and as usual has great HST related reading and a video thrown in for good measure.

Poundland The Novel is one book I’ll be watching for. It is by one Rodney Munch (maybe not someone who you’d like to bring home to meet your folks.)  Go to the site for more information.

An good friend of mine here at hstbooks is Kevin Ring of Beat Scene Magazine this magazine is a must for fans of the Beat Generation.

Korean Rum Diary One of David Wills’ many sites always has some caustic words to share.

Ed Smith Books has loads of interesting stuff for the book lover and collector. Ed has some nice Steadman and HST stuff amongst his extensive catalog.

Padfoot and Prongs are ploughing along with their very successful book site. They have great reviews and a ton of other stuff there.

Writer Simon J. James has a great site packed full of interesting articles.

Stay in touch with Noel Davila for updates on his writing and coming articles.

Noel Davila’s New Website.

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My friend, guitar pickin, band ownin, song writing  journalist and fellow Hunter Thompson freak Noel Davila has unveiled his new website here. Be sure to check it out. Noel is also busy finishing his piece for our HST For Beginners bit so be sure to check back for that. OK, go to his site now and buy his album.

Hunter S. Thompson One Hand Clapping.

A friend of mine was talking about Buddhism the other day and it reminded me of Hunter’s story called One Hand Clapping; and his encounter with a Buddhist monk. I thought I’d post it here. It appeared in Happy Birthday Jack Nicholson and Kingdom of Fear. Enjoy.

“I knew a Buddhist once, and I’ve hated myself ever since. The whole thing was a failure. He was a priest of some kind, and he was also extremely rich. They called him a monk and he wore the saffron robes and I hated him because of his arrogance. He thought he knew everything.

One day I was trying to rent a large downtown property from him, and he mocked me. ‘You are dumb’ he said. ‘You are doomed if you stay in this business. The stupid are gobbled up quickly.’ ‘I understand’ I said. ‘I am stupid. I am doomed but I think I know something you don’t.’  He laughed. ‘Nonsense’ he said. ‘You are a fool. You know nothing.’ I nodded respectfully and leaned closer to him, as if to whisper a secret. ‘I know the answer to the greatest riddle of all,’ I said. He chuckled. ‘And what is that?’  he said. ‘And you’d better be right, or I’ll kill you.’

‘I know the sound of one hand clapping,’ I said. ‘I have finally discovered the answer.’     Several other Buddhists in the room laughed out loud, at this point. I know they wanted to humiliate me, and now they had me trapped – because there is no answer to that question. These saffron bastards have been teasing us with it forever. They are amused at our failure to grasp it.

Ho ho, I went into a drastic crouch and hung my left hand low, behind my knee. ‘Lean closer,’ I said to him. ‘I want to answer your high and unanswerable question.’ As he leaned his bright bald head a little closer into my orbit, I suddenly leaped up and bashed him flat on the ear with the palm of my left hand. It was slightly cupped, so as to deliver maximum energy on impact. An isolated package of air is suddenly driven through the Eustachian tube and into the middle brain at quantum speed, causing pain, fear and extreme insult to the tissue.

The mink staggered sideways and screamed, grasping his head in agony. Then he fell to the floor and cursed me. ‘You swine!’ he croaked. ‘Why did you hit me and burst my eardrum?’ ‘Because that,’ I said, ‘is the sound of one hand clapping. That is the answer to your question. I have the answer now, and you are deaf.’  ’Indeed’ he said. ‘I am deaf, but I am smarter. I am wise in a different way.’ He grinned vacantly and reached out to shake my hand. ‘You are welcome,’ I said. ‘I am after all a doctor.’ “

My “A Bomb In Every Issue” Review & Peter Richardson Interview

Bomb

The magazines we get today like Time or Newsweek although have a history they are largely mainstream. They give us the usual lo-down on what is going on in the world but not much more.  Peter Richardson sheds some light on how it used be done with his book about Ramparts magazine A Bomb in Every Issue: How the Short, Unruly Life of Ramparts Magazine Changed America.

Ramparts was founded by Edward M. Keating in 1962 with a focus on catholic matters. I use the phrase “catholic matters” but maybe a description from books introduction might give you a better idea of what Ramparts was about. It described itself as a “forum for the mature American Catholic” focusing on “those positive principles of Hellenic-Christian tradition which have shaped and sustained our civilization for the past two thousand years” It Sounds pretty staunch doesn’t it? But it wasn’t long before the magazine took a sharp turn to the left; it became a radical muckraker that by all accounts turned the art of journalism on its head and gave it a good shake.

I first heard of Ramparts through Scanlans magazine and their common denominator Warren Hinckle; and because of my huge interest in Scanlans I was delighted to get a peek at A Bomb in Every Issue so soon.

So what about it? Well after reading the book I’ve realized that magazines like Ramparts and Scanlans for that matter deserve some consideration for their contribution to a new, no nonsense style of journalism and gutsy political reporting.  Publications with guile are thin on the ground these days.

Richardson gives a detailed account of the 13 year life of Ramparts and its most contentious stories. I had heard of Ramparts but never knew much about it’s history, but after reading A Bomb in Every issue I found just how important Ramparts was in the progression of journalism; and reporting issues that some folks would have preferred were buried. For example, it was the first to publish a conspiracy theory surrounding the assassination of JFK. Another point of interest was it’s publication of Che Guevara’s diaries. It also boasted a long list of contributors including Cesar Chavez, Norman Mailer, Noam Chomsky and many more.

The Hunter S. Thompson connection with Ramparts and of course Warren Hinckle is as you’d expect an entertaining one, as Richardson told me “The HST material in the book is brief but memorable: a fantastical visit to the Ramparts office, where Hinckle’s pet monkey got into his pills; the Chicago lunacy in 1968; and the Ramparts Wall Posters, an idea HST lifted for his campaign in Colorado.” The HST material in the book is small and not a huge selling point (nor was it intended to be) but it doesn’t need it, there’s plenty of other material to make this book stand on its own.

The bottom line is this. For anyone who’s interested in journalism and it’s transformation over the years; this book is a must read. It shows us the mettlesome attitude Ramparts had in its approach to spreading news, popular or not. As a fan of journalism I hope this book does well and reaches future writers of any ilk. It will bring to the fore a type of journalism that sadly is not as prominent as it should be in this day and age.

MF.. How did the writing of this book come about?

PR..I suppose it started when I was researching my previous book, a biography of Carey McWilliams. Your readers might remember him as the Nation editor who put HST onto the Hell’s Angels story. Some of McWilliams’s younger colleagues at The Nation also wrote for Ramparts. One was Gene Marine, who lives here in Berkeley. I interviewed him for the McWilliams book, and later I heard him give a talk on the history of KPFA, the first listener-supported American radio station. KPFA is also here in Berkeley, and Gene started working there in 1950, the year after it was founded. And while he was talking about his experience there, I realized I was aware of at least two books on the history of KPFA, but I had never come across a book on Ramparts magazine. After Gene’s talk, I surveyed the people in the room to see if they knew of any. They didn’t, so I decided to get to work.

Once I got into it, I discovered that I had a personal stake in the story, even though Ramparts folded for good when I was a teenager. I was born in Berkeley three years before Ramparts was founded, and as I began to consider the magazine’s influence, I realized that we born into the same social world. More important, it helped shape that world. So I started to see my research on the magazine as a kind of reconstruction of that milieu. In that sense, I had a personal interest in the story that was quite direct.

MF.. I have to say I am a big fan of the Ramparts / Scanlans style of reporting. From what I can see there is nothing like it around now. Do you think some day that the “muckraking” ilk will catch on and more importantly survive?

PR.. That’s a great question, one that many people here are asking now that U.S. newspapers are in big trouble. There are a few bright spots. One is the kind of reporting that Lowell Bergman and others are doing at Frontline, a PBS documentary series. Lowell was a Ramparts fan and contributor. He also co-founded the Center for Investigative Reporting and teaches journalism at Berkeley. He would say, I think, that Ramparts-style reporting can happen, but that it will be more collaborative. Essentially, investigative reporters at places like CIR and Pro Publica will discover stories and then push them out across media platforms: print, radio, television, etc.

Another bright spot, or perhaps a flicker at this point, is the prospect that bloggers will step into the breach. I just returned from Netroots Nation, the annual conference of political bloggers. Esther Kaplan of the Nation Institute ran a session on muckraking–how to obtain court documents, corporate disclosures, tax filings, etc. The room was packed with people eager to learn those skills.

Will those bloggers replace the political reporters at the Washington Post? I’m not sure, but don’t forget, when Ramparts came along, the staff was mostly a bunch of people in their 20s, far from the centers of power, who didn’t have much experience in journalism. But like these bloggers, they were smart and spirited and willing to note that the emperor had no clothes when the corporate media couldn’t quite bring themselves to say that out loud. When I asked Warren Hinckle why Ramparts was so successful, he said, “Probably because the rest of the press was so shitty.” So you never know where that muckraking energy and talent will come from.

MF.. You probably did lots of interesting interviews during your research for this project, who was the most interesting person you interviewed? I’m guessing Hinckle even though it only lasted an hour.

PR.. Yes, my conversation with Warren was fun. A lot of these folks are fascinating and have led extraordinary lives, so it’s hard to pick out one person. But I conclude the book with descriptions of my interviews with David Horowitz, Robert Scheer, and Warren, partly because they were three of the most important figures in the magazine’s history, and partly because those interviews illustrated the stark contrasts in their personal styles. David was serious, punctual, confessional. He frequently checked his BlackBerry for messages from his wife while we chatted over lunch near Malibu. Bob was harder to catch but open-handed, voluble, and generous with his time once I planted myself in his Berkeley living room.

My journalist friends laughed when I told them I couldn’t run down Warren. One friend finally told me that he could have a half dozen bartenders call him when Warren entered their establishments. Then he would call me, and I could rush over there. I finally caught up with Warren at a book show in Los Angeles: or rather, at the convention center bar. Of the three guys, he seemed the least interested in posterity, but he was willing to chat and enjoy an adult beverage or two before we toddled back to the exhibit hall.

By the way, I had similar difficulty lining up an interview with HST while I was working on the McWilliams book. His son Juan finally emailed me some advice, which included hourly calls starting at midnight. But I never did get through.

MF.. The book seems to be pretty well balanced. Is there much that didn’t make it into the book that you’d have liked to have there?

PR.. Yes, I tried to sort through the evidence and offer an evenhanded account of what was a very tumultuous experience. For that, I was praised (privately) by some folks who probably can’t agree on very much at this point. That was gratifying. I didn’t withhold much aside from a few uncorroborated stories. In some cases, I included tall tales but clearly labeled them as such. I did that because in some ways, the legends are “truer than true.” That is, they say something true about the magazine and the people even if the facts are wrong. HST fans will know what I mean, I think, and I wanted to give readers a taste of that.

MF..I’d like to know your opinion on how politics is reported today compared to the Ramparts era. Is the media too soft on the subject?

PR..I think the corporate media is, yes. I’m concerned about the future of journalism but agree with many critics that the mainstream media has brought many of its problems on itself. For example, Big Media missed what are arguably the two biggest stories of the last decade–the deceptively packaged invasion of Iraq and the housing bubble–by a mile. When the mainstream media missed the Vietnam story in the 1960s, Ramparts stepped in and forced them to pick up their game.

What’s needed for vibrant investigative journalism, I think, is a media ecology that includes savvy fringe outfits and larger news organizations that those smaller outlets can play off each other. That’s what Ramparts did with the New York Times, to each organization’s benefit. But the larger outlets don’t have to be newspapers.

MF.. You have got some high praise from Douglas Brinkley amongst others, that must feel good.

PR..Yes, that was a pleasant surprise. I ingested all the HST letters, which Doug edited, so I thought he might be interested in this book. Adam Hochschild and Richard Parker, who co-founded Mother Jones along with Paul Jacobs, also contributed blurbs. Ditto for Lowell Bergman, who rarely blurbs books, I gather. Eve Pell and Todd Gitlin, both of whom wrote for and about Ramparts, also helped out. So I was very lucky in that department.

Adam and Jann Wenner, by the way, were very generous with their time. Both worked at Ramparts, and both founded magazines that extended its work. Jann became aware of HST while he was working at Ramparts, and of course Hinckle first paired HST with Ralph Steadman at Scanlan’s, the magazine he published after he left Ramparts. So I think it’s fair to say that without Ramparts, we might not have gotten Gonzo journalism.

MF.. I’d like you to share some thoughts on Hunter Thompson’s work. Whats your favorite HST book? And some thoughts on Gonzo Journalism if you don’t mind.

PR..I teach Hell’s Angels in my class at San Francisco State University. The students really like it, and it offers a unique take on the theme of that course, which focuses on utopian and dystopian representations of California culture. I got a huge kick out of HST’s edited letters, which I relished as much as Fear and Loathing in Las Vegas and Fear and Loathing on the Campaign Trail. Weirdly, the letters might be my favorite body of HST work, though of course they would be negligible without his other achievements.

It took enormous discipline to restrict my discussions of HST in this book and the previous one on McWilliams. Once you let HST into the story, it’s hard to prevent him from dominating it. Time and again, I found myself scouring his books and letters when I probably should have been reading something else.

I’m also a big fan of the books and films about HST. I guess I would pick out Outlaw Journalist and Gonzo, both the Alex Gibney film and the oral biography by Jann Wenner and Corey Seymour. If there weren’t so many excellent works about HST already out there, I might be tempted to add to that literature. Not that there won’t be more contributions in the future, I’m sure.

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Peter’s site is at http://peterrichardson.blogspot.com/ there is a lot of interesting reading there. Also you can buy the book at amazon.com. Many thanks to Peter for taking the time to answer my questions.

–© Martin Flynn hstbooks 2009.

Fear And Loathing On The Rum Diary Set

A good friend of mine spent some time on the set of The Rum Diary movie. He sent me this brief account of his time there. Many thanks to him for letting me post this here.

I worked on the set of “The Rum Diary” as an extra.  On the first day of shooting, which took place in an old bowling alley, I noticed there was a chair with Johnny Depp’s name on it; the type of folding chair that you typically see on a set.  What was not typical however, was the fact that next to Col.Depp’s chair was another one just like it with the name Dr. Hunter S. Thompson printed on it.  I’mDesktop4 sure you can imagine the excitement that I felt being a follower of all things Gonzo, and also the frustration that plagued me when I heard some brainless individual enquire “But, isn’t he dead?”… Of course he’s dead, but that is besides the point.

It was then that I saw Depp walk into the set in full character dressed as Paul Kemp.  Hunter’s chair was moved to one of the bowling lanes. Depp served Hunter a glass of Chivas Regal whiskey and placed it on the chair along with a cigarette holder and of course, a cigarette.  He stood there beside the seat for a moment while some pictures were taken and he seemed visibly emotional as well as proud.  It was a very touching moment that made me choke up a little. I was angry that no one else present really knew how important such a gesture was, with the exception of a handful of people.

Later, I stepped outside to smoke a cigarette and I heard the director, Bruce Robinson, talking to someone about Hunter’s chair: “We’re going to have him every day on the set!” he declared.  God bless that man.  As I was walking towards the parking lot, I ran into Col. Depp himself.  I shook his hand and we spoke about Hunter for a brief moment.  I told him how I thought that he’s doing great things for Hunter and how I’ve read all of Hunter’s books.  Col. Depp smiled and looked me in the eye and said, “Yeah…he’s the fu***g greatest.”

That was one of only a few days that I would work on that film.  Films are not my line of work and the only reason I was chosen to work as an extra is because of my blue eyes which make me look more American than Puerto Rican.  Despite all this, I’m very proud to have been present in that room where homage was paid to Dr. Hunter S. Thompson before a single frame was shot.  Before anyone cried out ‘Action!’, the Doctor’s presence was acknowledged.  Selah.

The Seattle Book Fair

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If you have  an interest in books, and will be anywhere near Seattle in October, make sure you try to make it to the Seattle Book Fair. There will be lots of exhibitors there representing states from New York to Washington and a load in between. For more information go here also check the Seattle Antiquarian Book Fair blog here. You’ll be hard pushed to find a better posse of book folks under one roof anywhere else.

Jack Nicholson’s Sketches Of HST

Jack Nicholson, women love him and his raspy croak, men wish he wasn’t so cool. Whenever I see his picture I think of Randall Patrick McMurphy, Ken Kesey, Elk hearts and Hunter Thompson.  Hunter and Jack were good friends even if Hunter did put Jack through some nightmares. Nich hst

One of their first meetings involved Hunter pulling out a gun, and Jack jumping through a window in fear for his life. Another episode involved an elk heart, flares, spotlights and Jack’s front porch. The story is called  Fear and Loathing at Jack’s House. The Loneliest Place in the World. It’s published in Kingdom of Fear and Happy Birthday Jack Nicholson.

They thought a lot of each other, they were friends and neighbours. Jack said of Hunter “He was a very gentle guy with a lot of problems and I guess he never found the right way to share them.”

In memory of The Good Doctor Jack drew two portraits of Hunter (right). The one on the left is inscribed “All Were Not Wrong” and the other is inscribed “How’d Ya Like The Elk Heart”